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their English compeers. Meantime
the name underwent various changes in accent and orthography.
A few branches of the family stQl bore in Ireland the old Italian
name of De la Poe.
John Poe, the great-grandfather of Edgar Poe, married a
daughter of Admiral McBride, distinguished for his naval achieve-
ments and connected with some of the most illustrious families
of England. From genealogical records transmitted by him to
his son, David Poe, the grandfather of the poet, who was but
two years of age when his parents left Ireland, it appears that
8o Edgar Poe and his Critics.
different modes of spelling the name were adopted by different
members of the same family. David Poe was accustomed to
speak of the Chevalier le Poer, a friend of the Marquis de
Grammont, as having been of his father's family. The grand-
father of Edgar Poe was an officer in the Maryland line during
the war of the revolution, and, as Dr Griswold has told us, the
intimate friend of La Fayette. He married a lady of Pennsyl-
vania, by the name of Cairnes, wha is still remembered as having
been a woman of singular beauty. The father of Edgar Poe,
while a law student in the office of Wm. Gwynn, Esq., of Balti-
more, married, at the age of eighteen, Elizabeth Arnold, a young
English actress who was herself but a child. He first saw her
at Norfolk, where he was sent on professional business, and in a
few months they were married. Indignant at so imprudent a
union, his parents refused their countenance to the marriage, and
it was only after the birth of a child that he was forgiven and
received back into the paternal mansion. During the period of
his estrangement from his family he had joined his wife in a
theatrical engagement. Edgar Poe was the offspring of this
romantic and improvident union.
Having recorded our earnest protest against the
misapprehension of his critics and the misstatements of
Edgar Poe and his Critics. 81
his biographists, we leave the sabject for the present, in
the belief that a more impartial memoir of the poet
will yet be given to the world, and the story of his sad
strange life, when contemplated from a new point of
view, be found — like the shield of bronze whose color
was so long contested by the knights of fable — to
present, at least, a silver lining.
THS END.
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PS Whitman, Sarah Helen (Power)
2631 Edgar Poe and his
W5 critics
I
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