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- Edgar Poe and His Critics — Sarah Helen Whitman, 1860
- Date
- 1860
- Credits
- Sarah Helen Whitman
- Publisher
- Rudd & Carleton
- Published in
- New York
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- 92
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- Internet Archive
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Digitized by the Internet Archive
in 2007.with funding from
IVIicrosoft Corporation
http://www.archive.org/details/edgarpoehiscritiOOwhituoft
Edgar Poe and his Critics.
Edgar Poe
AND HIS CRITICS
BY SARAH HELEN WHITMAN.
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New York:
RuDD & Carleton, 130 Grand Street,
(brooks building, cor. of BROADWAY.)
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SEEN BY
PRESERVATION
SERVICES
DATE L'f.
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PS
We
Entered, according to Act of Congress, in the year 1859, by
EUDD & CARLETON,
In the Clerk's Office of tlie District Court of the United States for the
Southern District of New York.
B. OBAIGHEAD,
Printer. Siereolyper, and JilectrotypoTi
* Caxton SuiltJtng,
81 , S3, and 85 Centre Street.
"Wild words wander here and there;
God's great gift of speech abused
Makes thy memory confused."
" We cannot see thy features right ;
They mix with hollow masks of night."
Tennyson.
** With these keys we may partially unlock the mys-
tery."— -Poe's Marginalia.
Preface.
Dr. Griswold's Memoir of Edgar Poe has been exten-
sively read and circulated; its perverted facts and baseless
assumptions have been adopted into every subsequent
memoir and notice of the poet, and have been translated
into many languages. For ten years this great wrong to
the dead has passed unchallenged and unrebuked.
It has been assumed by a recent English critic, that
''Edgar Poe had no friends." As an index to a more
equitable ^nd intelligible theory of the idiosyncrasies of
his life, and as an earnest protest against the spirit of Dr.
Griswold's unjust memoir, these pages are submitted to his
more candid readers and critics by
One of his Friends.
Edgar Poe and his Critics.
The author of tlie " Original Memoir " prefixed to the
volume of Poe's Illustrated Poems, recently published hj
Kedfield, says, " Of all the poets, whose lives have been
a puzzle and a mystery to the world, there is not one
more difficult to be understood than Edgar Allan Poe."
The Rev. George Gilfillan, in his very imaginative por-
traiture of the poet, admits that the moral anatomists
who have met and wondered over his life, have given
up all attempts at dissection and diagnosis, turning
away with the solemnly whispered warning to the
world, and especially to its more brilliant and gifted
intellects, " Beware ! "
14 Edgar Poe and his Critics.
He confesses that a history so strange as, that, of
Edgar Poe should prompt us to new and more search-
ing methods of critical as well as moral analysis. But
before such analysis can be instituted we must have
fuller, more dispassionate, and more authentic records
of the phenomena to be analysed. The well written,
but very brief memoir prefixed to the Illustrated Poems,
and the various sketches that have, from time to time,
appeared in the French and English periodicals, are all
based on the narrative of Dr. Griswold, a narrative
notoriously deficient in the great essentials of candor
and authenticity. " It is a rare accomplishment," says
one of our most original writers, " to hear a story as it
is told ; still rarer to remember it as heard, and rarest
of all to tell it as it is remembered"
If Dr. Griswold's Memoir of Edgar Poe betrays the
■want of any, or all, of these accomplishments — if its
remorseless violations of the trust confided to him are
such as to make the unhallowed act of Trelawncy
towards the enshrouded form of the dea
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