King Pest — Edgar Allan Poe (reading text) — reading text

conditions we have imposed must be fulfilled to the letter, and that without a moment’s hesitation—in failure of which fulfilment we decree that you do here be tied neck and heels together, and duly drowned as rebels in yon hogshead of October beer!” “A sentence!—a sentence!—a righteous and just sentence!—a glorious decree!—a most worthy and upright, and holy condemnation!” shouted the Pest family altogether. The king elevated his forehead into innumerable wrinkles; the gouty little old man puffed like a pair of bellows; the lady of the winding sheet waved her nose to and fro; the gentleman in the cotton drawers pricked up his ears; she of the shroud gasped like a dying fish; and he of the coffin looked stiff and rolled up his eyes. “Ugh! ugh! ugh!” chuckled Tarpaulin without heeding the general excitation, “ugh! ugh! ugh!—ugh! ugh! ugh!—ugh! ugh! ugh!—I was saying,” said he, “I was saying when Mr. King Pest poked in his marlin-spike, that as for the matter of two or three gallons more or less of Black Strap, it was a trifle to a tight sea-boat like myself not overstowed—but when it comes to drinking the health of the Devil (whom God assoilzie) and going down upon my marrow bones to his ill-favored majesty there, whom I know, as well as I know myself to be a sinner, to be nobody in the whole world, but Tim Hurlygurly the stage-player!—why! it’s quite another guess sort of a thing, and utterly and altogether past my comprehension.” He was not allowed to finish this speech in tranquillity. At the name Tim Hurlygurly the whole assembly leaped from their name seats. “Treason!” shouted his Majesty King Pest the First. “Treason!” said the little man with the gout. “Treason!” screamed the Arch Duchess Ana-Pest. “Treason!” muttered the gentleman with his jaws tied up. “Treason!” growled he of the coffin. “Treason! treason!” shrieked her majesty of the mouth; and, seizing by the hinder part of his breeches the unfortunate Tarpaulin, who had just commenced pouring out for himself a skull of liqueur, she lifted him high into the air, and let him fall without ceremony into the huge open puncheon of his beloved ale. Bobbing up and down, for a few seconds, like an apple in a bowl of toddy, he, at length, finally disappeared amid the whirlpool of foam which, in the already effervescent liquor, his struggles easily succeeded in creating. Not tamely, however, did the tall seaman behold the discomfiture of his companion. Jostling King Pest through the open trap, the valiant Legs slammed the door down upon him with an oath, and strode towards the centre of the room. Here tearing down the skeleton which swung over the table, he laid it about him with so much energy and good will, that, as the last glimpses of light died away within the apartment, he succeeded in knocking out the brains of the little gentleman with the gout. Rushing then with all his force against the fatal hogshead full of October ale and Hugh Tarpaulin, he rolled it over and over in an instant. Out burst a deluge of liquor so fierce—so impetuous—so overwhelming—that the room was flooded from wall to wall—the loaded table was overturned—the tressels were thrown upon their backs—the tub of punch into the fire-place—and the ladies into hysterics. Piles of death-furniture floundered about. Jugs, pitchers, and carboys mingled promiscuously in the mêlée, and wicker flagons encountered desperately with bottles of junk. The man with the horrors was drowned upon the spot—the little stiff gentleman floated off in his coffin—and the victorious Legs, seizing by the waist the fat lady in the shroud, rushed out with her into the street, and made a bee-line for the Free and Easy, followed under easy sail by the redoubtable Hugh Tarpaulin, who, having sneezed three or four times, panted and puffed after him with the Arch Duchess Ana-Pest. END OF WORK Source and redistribution notice *** END OF THE PROJECT GUTENBERG EBOOK THE WORKS OF EDGAR ALLAN POE — VOLUME 3 *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. 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