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The Psyche Zenobia / The Scythe of Time — Edgar Allan Poe
Local reading from The Works of Edgar Allan Poe, Raven Edition, volume 4. This is a later collected text, not the first printing named in the research list.
HOW TO WRITE A “BLACKWOOD” ARTICLE
“In the name of the Prophet—figs!!”
—Cry of the Turkish fig-peddler.
I presume everybody has heard of me. My name is the Signora Psyche
Zenobia. This I know to be a fact. Nobody but my enemies ever calls me
Suky Snobbs. I have been assured that Suky is but a vulgar corruption of
Psyche, which is good Greek, and means “the soul” (that’s me, I’m all
soul) and sometimes “a butterfly,” which latter meaning undoubtedly
alludes to my appearance in my new crimson satin dress, with the sky-blue
Arabian mantelet, and the trimmings of green agraffas, and the seven
flounces of orange-colored auriculas. As for Snobbs—any person who
should look at me would be instantly aware that my name wasn’t Snobbs.
Miss Tabitha Turnip propagated that report through sheer envy. Tabitha
Turnip indeed! Oh the little wretch! But what can we expect from a turnip?
Wonder if she remembers the old adage about “blood out of a turnip,” &c.?
[Mem. put her in mind of it the first opportunity.] [Mem. again—pull
her nose.] Where was I? Ah! I have been assured that Snobbs is a mere
corruption of Zenobia, and that Zenobia was a queen—(So am I. Dr.
Moneypenny always calls me the Queen of the Hearts)—and that
Zenobia, as well as Psyche, is good Greek, and that my father was “a
Greek,” and that consequently I have a right to our patronymic, which is
Zenobia and not by any means Snobbs. Nobody but Tabitha Turnip calls me
Suky Snobbs. I am the Signora Psyche Zenobia.
As I said before, everybody has heard of me. I am that very Signora Psyche
Zenobia, so justly celebrated as corresponding secretary to the
“Philadelphia, Regular, Exchange, Tea, Total, Young, Belles, Lettres,
Universal, Experimental, Bibliographical, Association, To, Civilize,
Humanity.” Dr. Moneypenny made the title for us, and says he chose it
because it sounded big like an empty rum-puncheon. (A vulgar man that
sometimes—but he’s deep.) We all sign the initials of the society
after our names, in the fashion of the R. S. A., Royal Society of Arts—the
S. D. U. K., Society for the Diffusion of Useful Knowledge, &c, &c.
Dr. Moneypenny says that S. stands for stale, and that D. U. K. spells
duck, (but it don’t,) that S. D. U. K. stands for Stale Duck and not for
Lord Brougham’s society—but then Dr. Moneypenny is such a queer man
that I am never sure when he is telling me the truth. At any rate we
always add to our names the initials P. R. E. T. T. Y. B. L. U. E. B. A.
T. C. H.—that is to say, Philadelphia, Regular, Exchange, Tea,
Total, Young, Belles, Lettres, Universal, Experimental, Bibliographical,
Association, To, Civilize, Humanity—one letter for each word, which
is a decided improvement upon Lord Brougham. Dr. Moneypenny will have it
that our initials give our true character—but for my life I can’t
see what he means.
Notwithstanding the good offices of the Doctor, and the strenuous
exertions of the association to get itself into notice, it met with no
very great success until I joined it. The truth is, the members indulged
in too flippant a tone of discussion. The papers read every Saturday
evening were characterized less by depth than buffoonery. They were all
whipped syllabub. There was no investigation of first causes, first
principles. There was no investigation of any thing at all. There was no
attention paid to that great point, the “fitness of things.” In short
there was no fine writing like this. It was all low—very! No
profundity, no reading, no metaphysics—nothing which the learned
call spirituality, and which the unlearned choose to stigmatize as cant.
[Dr. M. says I ought to spell “cant” with a capital K—but I know
better.]
When I joined the society it was my endeavor to introduce a better style
of thinking and writing, a
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