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Lionizing — Edgar Allan Poe (reading text)

Read Lionizing by Edgar Allan Poe in a locally hosted reading text from the Raven Edition, volume 4. This preserves a later collected version; the first printing remains a separate research question.

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Lionizing
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Later collected edition; original publication date requires separate verification
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Edgar Allan Poe; source transcription credits retained in the download
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Project Gutenberg (digital transcription of the Raven Edition)
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Project Gutenberg

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Lionizing — Edgar Allan Poe Local reading from The Works of Edgar Allan Poe, Raven Edition, volume 4. This is a later collected text, not the first printing named in the research list. LIONIZING —— all people went Upon their ten toes in wild wonderment.                     —Bishop Hall’s Satires. I am—that is to say I was—a great man; but I am neither the author of Junius nor the man in the mask; for my name, I believe, is Robert Jones, and I was born somewhere in the city of Fum-Fudge. The first action of my life was the taking hold of my nose with both hands. My mother saw this and called me a genius—my father wept for joy and presented me with a treatise on Nosology. This I mastered before I was breeched. I now began to feel my way in the science, and soon came to understand that, provided a man had a nose sufficiently conspicuous, he might, by merely following it, arrive at a Lionship. But my attention was not confined to theories alone. Every morning I gave my proboscis a couple of pulls and swallowed a half dozen of drams. When I came of age my father asked me, one day, if I would step with him into his study. “My son,” said he, when we were seated, “what is the chief end of your existence?” “My father,” I answered, “it is the study of Nosology.” “And what, Robert,” he inquired, “is Nosology?” “Sir,” I said, “it is the science of Noses.” “And can you tell me,” he demanded, “what is the meaning of a nose?” “A nose, my father;” I replied, greatly softened, “has been variously defined by about a thousand different authors.” [Here I pulled out my watch.] “It is now noon or thereabouts—we shall have time enough to get through with them all before midnight. To commence then:—The nose, according to Bartholinus, is that protuberance—that bump—that excrescence—that—” “Will do, Robert,” interrupted the good old gentleman. “I am thunderstruck at the extent of your information—I am positively—upon my soul.” [Here he closed his eyes and placed his hand upon his heart.] “Come here!” [Here he took me by the arm.] “Your education may now be considered as finished—it is high time you should scuffle for yourself—and you cannot do a better thing than merely follow your nose—so—so—so—” [Here he kicked me downstairs and out of the door.]—“so get out of my house, and God bless you!” As I felt within me the divine afflatus, I considered this accident rather fortunate than otherwise. I resolved to be guided by the paternal advice. I determined to follow my nose. I gave it a pull or two upon the spot, and wrote a pamphlet on Nosology forthwith. All Fum-Fudge was in an uproar. “Wonderful genius!” said the Quarterly. “Superb physiologist!” said the Westminster. “Clever fellow!” said the Foreign. “Fine writer!” said the Edinburgh. “Profound thinker!” said the Dublin. “Great man!” said Bentley. “Divine soul!” said Fraser. “One of us!” said Blackwood. “Who can he be?” said Mrs. Bas-Bleu. “What can he be?” said big Miss Bas-Bleu. “Where can he be?” said little Miss Bas-Bleu.—But I paid these people no attention whatever—I just stepped into the shop of an artist. The Duchess of Bless-my-Soul was sitting for her portrait; the Marquis of So-and-So was holding the Duchess’ poodle; the Earl of This-and-That was flirting with her salts; and his Royal Highness of Touch-me-Not was leaning upon the back of her chair. I approached the artist and turned up my nose. “Oh, beautiful!” sighed her Grace. “Oh my!” lisped the Marquis. “Oh, shocking!” groaned the Earl. “Oh, abominable!” growled his Royal Highness. “What will you take for it?” asked the artist. “For his nose!” shouted her Grace. “A thousand pounds,” said I, sitting down. “A thousand pounds?” inquired the artist, musingly. “A thousand pounds,” said I. “Beautiful!” said he, entranced. “A thousand pounds,” said I. “Do you warrant it?” he asked, turning the nose to the light. “I do,” said I, blowing it well. “Is it quite original?” he inquired; touching it with re

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Project Gutenberg (digital transcription of the Raven Edition). “Lionizing — Edgar Allan Poe (reading text).” Later collected edition; original publication date requires separate verification. Lionizing. Crypt of Echoes evidence ID LED-2026-73091eab73564a6595e965fd4b64379e. http://127.0.0.1:58097/evidence/LED-2026-73091eab73564a6595e965fd4b64379e. Accessed [date].

Catalogue citation: Edgar Allan Poe, Lionizing, The Works of Edgar Allan Poe, Raven Edition, volume 4. Project Gutenberg 2150.

Underlying work is public domain in the United States. Complete Project Gutenberg redistribution notice is retained at the end of this local reading.

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