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The Bargain Lost (Bon-Bon) — Edgar Allan Poe
Local reading from The Works of Edgar Allan Poe, Raven Edition, volume 5. This is a later collected text, not the first printing named in the research list.
BON-BON.
Quand un bon vin meuble mon estomac,
Je suis plus savant que Balzac—
Plus sage que Pibrac;
Mon bras seul faisant l’attaque
De la nation Cossaque,
La mettroit au sac;
De Charon je passerois le lac,
En dormant dans son bac;
J’irois au fier Eac,
Sans que mon coeur fit tic ni tac,
Présenter du tabac.
—French Vaudeville
That Pierre Bon-Bon was a restaurateur of uncommon qualifications,
no man who, during the reign of——, frequented the little Câfé
in the cul-de-sac Le Febre at Rouen, will, I imagine, feel himself at
liberty to dispute. That Pierre Bon-Bon was, in an equal degree, skilled
in the philosophy of that period is, I presume, still more especially
undeniable. His patés à la fois were beyond doubt immaculate; but
what pen can do justice to his essays sur la Nature—his
thoughts sur l’Ame—his observations sur l’Esprit? If
his omelettes—if his fricandeaux were inestimable,
what littérateur of that day would not have given twice as much for
an “Idée de Bon-Bon” as for all the trash of “Idées” of all
the rest of the savants? Bon-Bon had ransacked libraries which no
other man had ransacked—had more than any other would have
entertained a notion of reading—had understood more than any other
would have conceived the possibility of understanding; and although, while
he flourished, there were not wanting some authors at Rouen to assert
“that his dicta evinced neither the purity of the Academy, nor the
depth of the Lyceum”—although, mark me, his doctrines were by no
means very generally comprehended, still it did not follow that they were
difficult of comprehension. It was, I think, on account of their
self-evidency that many persons were led to consider them abstruse. It is
to Bon-Bon—but let this go no farther—it is to Bon-Bon that
Kant himself is mainly indebted for his metaphysics. The former was indeed
not a Platonist, nor strictly speaking an Aristotelian—nor did he,
like the modern Leibnitz, waste those precious hours which might be
employed in the invention of a fricasée or, facili gradú,
the analysis of a sensation, in frivolous attempts at reconciling the
obstinate oils and waters of ethical discussion. Not at all. Bon-Bon was
Ionic—Bon-Bon was equally Italic. He reasoned à priori—He
reasoned also à posteriori. His ideas were innate—or
otherwise. He believed in George of Trebizonde—He believed in
Bossarion [Bessarion]. Bon-Bon was emphatically a—Bon-Bonist.
I have spoken of the philosopher in his capacity of restaurateur. I
would not, however, have any friend of mine imagine that, in fulfilling
his hereditary duties in that line, our hero wanted a proper estimation of
their dignity and importance. Far from it. It was impossible to say in
which branch of his profession he took the greater pride. In his opinion
the powers of the intellect held intimate connection with the capabilities
of the stomach. I am not sure, indeed, that he greatly disagreed with the
Chinese, who held that the soul lies in the abdomen. The Greeks at all
events were right, he thought, who employed the same words for the mind
and the diaphragm. (*1) By this I do not mean to insinuate a charge of
gluttony, or indeed any other serious charge to the prejudice of the
metaphysician. If Pierre Bon-Bon had his failings—and what great man
has not a thousand?—if Pierre Bon-Bon, I say, had his failings, they
were failings of very little importance—faults indeed which, in
other tempers, have often been looked upon rather in the light of virtues.
As regards one of these foibles, I should not even have mentioned it in
this history but for the remarkable prominency—the extreme alto
relievo—in which it jutted out from the plane of his general
disposition. He could never let slip an opportunity of making a bargain.
{*1} MD
Not that he was avaricious—no. It was by no means necessary to the
satisfaction of the philosopher, that the bargain should be to his own
proper advantage. Provided a trade could be effected—a trade of any
kind, upon any terms, or under any circumstances—a triumphant smile
was seen for many days thereafter to enlighten his countenance, and a
knowing wink of the eye to give evidence of his sagacity.
At any epoch it would not be very wonderful if a humor so peculiar as the
one I have just mentioned, should elicit attention and remark. At the
epoch of our narrative, had this peculiarity not attracted observation,
there would have been room for wonder indeed. It was soon reported that,
upon all occasions of the kind, the smile of Bon-Bon was wont to differ
widely from the downright grin with which he would laugh at his own jokes,
or welcome an acquaintance. Hints were thrown out of an exciting nature;
stories were told of perilous bargains made in a hurry and repented of at
leisure; and instances were adduced of unaccountable capacities, vague
longings, and unnatural inclinations implanted by the author of all evil
for wise purposes of his own.
The philosopher had other weaknesses—but they are scarcely worthy
our serious examination. For example, there are few men of extraordinary
profundity who are found wanting in an inclination for the bottle. Whether
this inclination be an exciting cause, or rather a valid proof of such
profundity, it is a nice thing to say. Bon-Bon, as far as I can learn, did
not think the subject adapted to minute investigation;—nor do I. Yet
in the indulgence of a propensity so truly classical, it is not to be
supposed that the restaurateur would lose sight of that intuitive
discrimination which was wont to characterize, at one and the same time,
his essais and his omelettes. In his seclusions the Vin de Bourgogne had
its allotted hour, and there were appropriate moments for the Cotes du
Rhone. With him Sauterne was to Medoc what Catullus was to Homer. He would
sport with a syllogism in sipping St. Peray, but unravel an argument over
Clos de Vougeot, and upset a theory in a torrent of Chambertin. Well had
it been if the same quick sense of propriety had attended him in the
peddling propensity to which I have formerly alluded—but this was by
no means the case. Indeed to say the truth, that trait of mind in the
philosophic Bon-Bon did begin at length to assume a character of strange
intensity and mysticism, and appeared deeply tinctured with the diablerie
of his favorite German studies.
To enter the little café in the cul-de-sac Le Febre was, at the period of
our tale, to enter the sanctum of a man of genius. Bon-Bon was a man of
genius. There was not a sous-cusinier in Rouen, who could not have told
you that Bon-Bon was a man of genius. His very cat knew it, and forebore
to whisk her tail in the presence of the man of genius. His large
water-dog was acquainted with the fact, and upon the approach of his
master, betrayed his sense of inferiority by a sanctity of deportment, a
debasement of the ears, and a dropping of the lower jaw not altogether
unworthy of a dog. It is, however, true that much of this habitual respect
might have been attributed to the personal appearance of the
metaphysician. A distinguished exterior will, I am constrained to say,
have its way even with a beast; and I am willing to allow much in the
outward man of the restaurateur calculated to impress the imagination of
the quadruped. There is a peculiar majesty about the atmosphere of the
little great—if I may be permitted so equivocal an expression—which
mere physical bulk alone will be found at all times inefficient in
creating. If, however, Bon-Bon was barely three feet in height, and if his
head was diminutively small, still it was impossible to behold the
rotundity of his stomach without a sense of magnificence nearly bordering
upon the sublime. In its size both dogs and men must have seen a type of
his acquirements—in its immensity a fitting habitation for his
immortal soul.
I might here—if it so pleased me—dilate upon the matter of
habiliment, and other mere circumstances of the external metaphysician. I
might hint that the hair of our hero was worn short, combed smoothly over
his forehead, and surmounted by a conical-shaped white flannel cap and
tassels—that his pea-green jerkin was not after the fashion of those
worn by the common class of restaurateurs at that day—that the
sleeves were something fuller than the reigning costume permitted—that
the cuffs were turned up, not as usual in that barbarous period, with
cloth of the same quality and color as the garment, but faced in a more
fanciful manner with the particolored velvet of Genoa—that his
slippers were of a bright purple, curiously filigreed, and might have been
manufactured in Japan, but for the exquisite pointing of the toes, and the
brilliant tints of the binding and embroidery—that his breeches were
of the yellow satin-like material called aimable—that his sky-blue
cloak, resembling in form a dressing-wrapper, and richly bestudded all
over with crimson devices, floated cavalierly upon his shoulders like a
mist of the morning—and that his tout ensemble gave rise to the
remarkable words of Benevenuta, the Improvisatrice of Florence, “that it
was difficult to say whether Pierre Bon-Bon was indeed a bird of Paradise,
or rather a very Paradise of perfection.” I might, I say, expatiate upon
all these points if I pleased,—but I forbear, merely personal
details may be left to historical novelists,—they are beneath the
moral dignity of matter-of-fact.
I have said that “to enter the café in the cul-de-sac Le Febre was to
enter the sanctum of a man of genius”—but then it was only the man
of genius who could duly estimate the merits of the sanctum. A sign,
consisting of a vast folio, swung before the entrance. On one side of the
volume was painted a bottle; on the reverse a paté. On the back were
visible in large letters Œuvres de Bon-Bon. Thus was delicately shadowed
forth the two-fold occupation of the proprietor.
Upon stepping over the threshold, the whole interior of the building
presented itself to view. A long, low-pitched room, of antique
construction, was indeed all the accommodation afforded by the café. In a
corner of the apartment stood the bed of the metaphysician. An army of
curtains, together with a canopy à la Grècque, gave it an air at once
classic and comfortable. In the corner diagonary opposite, appeared, in
direct family communion, the properties of the kitchen and the
bibliotheque. A dish of polemics stood peacefully upon the dresser. Here
lay an ovenful of the latest ethics—there a kettle of dudecimo
mélanges. Volumes of German morality were hand and glove with the gridiron—a
toasting-fork might be discovered by the side of Eusebius—Plato
reclined at his ease in the frying-pan—and contemporary manuscripts
were filed away upon the spit.
In other respects the Café de Bon-Bon might be said to differ little from
the usual restaurants of the period. A fireplace yawned opposite the door.
On the right of the fireplace an open cupboard displayed a formidable
array of labelled bottles.
It was here, about twelve o’clock one night during the severe
winter of ——, that Pierre Bon-Bon, after having listened to
the comments of his neighbours upon his singular propensity—that
Pierre Bon-Bon, I say, having turned them all out of his house, locked
the door upon them with an oath, and betook himself in no very pacific
mood to the comforts of a leather-bottomed arm-chair, and a fire of
blazing fagots.
It was one of those terrific nights which are only met with once or twice
during a century. It snowed fiercely, and the house tottered to its centre
with the floods of wind that, rushing through the crannies in the wall,
and pouring impetuously down the chimney, shook awfully the curtains of
the philosopher’s bed, and disorganized the economy of his pate-pans and
papers. The huge folio sign
