Later collected edition; original publication date requires separate verification

Thou Art the Man — Edgar Allan Poe (reading text)

Read Thou Art the Man by Edgar Allan Poe in a locally hosted reading text from the Raven Edition, volume 5. This preserves a later collected version; the first printing remains a separate research question.

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Thou Art the Man
Date
Later collected edition; original publication date requires separate verification
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Edgar Allan Poe; source transcription credits retained in the download
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Project Gutenberg (digital transcription of the Raven Edition)
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Project Gutenberg

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Thou Art the Man — Edgar Allan Poe Local reading from The Works of Edgar Allan Poe, Raven Edition, volume 5. This is a later collected text, not the first printing named in the research list. THOU ART THE MAN I will now play the Oedipus to the Rattleborough enigma. I will expound to you—as I alone can—the secret of the enginery that effected the Rattleborough miracle—the one, the true, the admitted, the undisputed, the indisputable miracle, which put a definite end to infidelity among the Rattleburghers and converted to the orthodoxy of the grandames all the carnal-minded who had ventured to be sceptical before. This event—which I should be sorry to discuss in a tone of unsuitable levity—occurred in the summer of 18—. Mr. Barnabas Shuttleworthy—one of the wealthiest and most respectable citizens of the borough—had been missing for several days under circumstances which gave rise to suspicion of foul play. Mr. Shuttleworthy had set out from Rattleborough very early one Saturday morning, on horseback, with the avowed intention of proceeding to the city of ——, about fifteen miles distant, and of returning the night of the same day. Two hours after his departure, however, his horse returned without him, and without the saddle-bags which had been strapped on his back at starting. The animal was wounded, too, and covered with mud. These circumstances naturally gave rise to much alarm among the friends of the missing man; and when it was found, on Sunday morning, that he had not yet made his appearance, the whole borough arose en masse to go and look for his body. The foremost and most energetic in instituting this search was the bosom friend of Mr. Shuttleworthy—a Mr. Charles Goodfellow, or, as he was universally called, “Charley Goodfellow,” or “Old Charley Goodfellow.” Now, whether it is a marvellous coincidence, or whether it is that the name itself has an imperceptible effect upon the character, I have never yet been able to ascertain; but the fact is unquestionable, that there never yet was any person named Charles who was not an open, manly, honest, good-natured, and frank-hearted fellow, with a rich, clear voice, that did you good to hear it, and an eye that looked you always straight in the face, as much as to say: “I have a clear conscience myself, am afraid of no man, and am altogether above doing a mean action.” And thus all the hearty, careless, “walking gentlemen” of the stage are very certain to be called Charles. Now, “Old Charley Goodfellow,” although he had been in Rattleborough not longer than six months or thereabouts, and although nobody knew any thing about him before he came to settle in the neighborhood, had experienced no difficulty in the world in making the acquaintance of all the respectable people in the borough. Not a man of them but would have taken his bare word for a thousand at any moment; and as for the women, there is no saying what they would not have done to oblige him. And all this came of his having been christened Charles, and of his possessing, in consequence, that ingenuous face which is proverbially the very “best letter of recommendation.” I have already said that Mr. Shuttleworthy was one of the most respectable and, undoubtedly, he was the most wealthy man in Rattleborough, while “Old Charley Goodfellow” was upon as intimate terms with him as if he had been his own brother. The two old gentlemen were next-door neighbours, and, although Mr. Shuttleworthy seldom, if ever, visited “Old Charley,” and never was known to take a meal in his house, still this did not prevent the two friends from being exceedingly intimate, as I have just observed; for “Old Charley” never let a day pass without stepping in three or four times to see how his neighbour came on, and very often he would stay to breakfast or tea, and almost always to dinner, and then the amount of wine that was made way with by the two cronies at a sitting, it would really be a difficult thing to ascertain. “Old Charleys” favor

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Project Gutenberg (digital transcription of the Raven Edition). “Thou Art the Man — Edgar Allan Poe (reading text).” Later collected edition; original publication date requires separate verification. Thou Art the Man. Crypt of Echoes evidence ID LED-2026-25b0ef586d084f62a1c974241fbdd5cc. http://127.0.0.1:58097/evidence/LED-2026-25b0ef586d084f62a1c974241fbdd5cc. Accessed [date].

Catalogue citation: Edgar Allan Poe, Thou Art the Man, The Works of Edgar Allan Poe, Raven Edition, volume 5. Project Gutenberg 2151.

Underlying work is public domain in the United States. Complete Project Gutenberg redistribution notice is retained at the end of this local reading.

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