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Thou Art the Man — Edgar Allan Poe
Local reading from The Works of Edgar Allan Poe, Raven Edition, volume 5. This is a later collected text, not the first printing named in the research list.
THOU ART THE MAN
I will now play the Oedipus to the Rattleborough enigma. I will expound to
you—as I alone can—the secret of the enginery that effected
the Rattleborough miracle—the one, the true, the admitted, the
undisputed, the indisputable miracle, which put a definite end to
infidelity among the Rattleburghers and converted to the orthodoxy of the
grandames all the carnal-minded who had ventured to be sceptical before.
This event—which I should be sorry to discuss in a tone of
unsuitable levity—occurred in the summer of 18—. Mr. Barnabas
Shuttleworthy—one of the wealthiest and most respectable citizens of
the borough—had been missing for several days under circumstances
which gave rise to suspicion of foul play. Mr. Shuttleworthy had set out
from Rattleborough very early one Saturday morning, on horseback, with the
avowed intention of proceeding to the city of ——, about fifteen miles
distant, and of returning the night of the same day. Two hours after his
departure, however, his horse returned without him, and without the
saddle-bags which had been strapped on his back at starting. The animal
was wounded, too, and covered with mud. These circumstances naturally gave
rise to much alarm among the friends of the missing man; and when it was
found, on Sunday morning, that he had not yet made his appearance, the
whole borough arose en masse to go and look for his body.
The foremost and most energetic in instituting this search was the bosom
friend of Mr. Shuttleworthy—a Mr. Charles Goodfellow, or, as he was
universally called, “Charley Goodfellow,” or “Old Charley Goodfellow.”
Now, whether it is a marvellous coincidence, or whether it is that the
name itself has an imperceptible effect upon the character, I have never
yet been able to ascertain; but the fact is unquestionable, that there
never yet was any person named Charles who was not an open, manly, honest,
good-natured, and frank-hearted fellow, with a rich, clear voice, that did
you good to hear it, and an eye that looked you always straight in the
face, as much as to say: “I have a clear conscience myself, am afraid of
no man, and am altogether above doing a mean action.” And thus all the
hearty, careless, “walking gentlemen” of the stage are very certain to be
called Charles.
Now, “Old Charley Goodfellow,” although he had been in Rattleborough not
longer than six months or thereabouts, and although nobody knew any thing
about him before he came to settle in the neighborhood, had experienced no
difficulty in the world in making the acquaintance of all the respectable
people in the borough. Not a man of them but would have taken his bare
word for a thousand at any moment; and as for the women, there is no
saying what they would not have done to oblige him. And all this came of
his having been christened Charles, and of his possessing, in consequence,
that ingenuous face which is proverbially the very “best letter of
recommendation.”
I have already said that Mr. Shuttleworthy was one of the most respectable
and, undoubtedly, he was the most wealthy man in Rattleborough, while “Old
Charley Goodfellow” was upon as intimate terms with him as if he had been
his own brother. The two old gentlemen were next-door neighbours, and,
although Mr. Shuttleworthy seldom, if ever, visited “Old Charley,” and
never was known to take a meal in his house, still this did not prevent
the two friends from being exceedingly intimate, as I have just observed;
for “Old Charley” never let a day pass without stepping in three or four
times to see how his neighbour came on, and very often he would stay to
breakfast or tea, and almost always to dinner, and then the amount of wine
that was made way with by the two cronies at a sitting, it would really be
a difficult thing to ascertain. “Old Charleys” favor
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