READ ALONGSIDE THE SOURCE
The Oblong Box — Edgar Allan Poe (reading text) — reading text
Part 1 of 4. These parts divide the reading text for browsing; they are not the source document's page numbers.
Complete local reading text and source notice
Reading transcription · Review label: Known limitations
Compare this copy with the preserved source. Review labels describe the recorded status of this file; they do not guarantee that the text is error-free. Spacing and line breaks are retained, with long lines wrapped to fit the screen.
The Oblong Box — Edgar Allan Poe
Local reading from The Works of Edgar Allan Poe, Raven Edition, volume 4. This is a later collected text, not the first printing named in the research list.
THE OBLONG BOX.
Some years ago, I engaged passage from Charleston, S. C., to the city of
New York, in the fine packet-ship “Independence,” Captain Hardy. We were
to sail on the fifteenth of the month (June), weather permitting; and on
the fourteenth, I went on board to arrange some matters in my state-room.
I found that we were to have a great many passengers, including a more
than usual number of ladies. On the list were several of my acquaintances,
and among other names, I was rejoiced to see that of Mr. Cornelius Wyatt,
a young artist, for whom I entertained feelings of warm friendship. He had
been with me a fellow-student at C—— University, where we were very
much together. He had the ordinary temperament of genius, and was a
compound of misanthropy, sensibility, and enthusiasm. To these qualities
he united the warmest and truest heart which ever beat in a human bosom.
I observed that his name was carded upon three state-rooms; and, upon
again referring to the list of passengers, I found that he had engaged
passage for himself, wife, and two sisters—his own. The state-rooms
were sufficiently roomy, and each had two berths, one above the other.
These berths, to be sure, were so exceedingly narrow as to be insufficient
for more than one person; still, I could not comprehend why there were
three state-rooms for these four persons. I was, just at that epoch, in
one of those moody frames of mind which make a man abnormally inquisitive
about trifles: and I confess, with shame, that I busied myself in a
variety of ill-bred and preposterous conjectures about this matter of the
supernumerary state-room. It was no business of mine, to be sure, but with
none the less pertinacity did I occupy myself in attempts to resolve the
enigma. At last I reached a conclusion which wrought in me great wonder
why I had not arrived at it before. “It is a servant of course,” I said;
“what a fool I am, not sooner to have thought of so obvious a solution!”
And then I again repaired to the list—but here I saw distinctly that
no servant was to come with the party, although, in fact, it had been the
original design to bring one—for the words “and servant” had been
first written and then overscored. “Oh, extra baggage, to be sure,” I now
said to myself—“something he wishes not to be put in the hold—something
to be kept under his own eye—ah, I have it—a painting or so—and
this is what he has been bargaining about with Nicolino, the Italian Jew.”
This idea satisfied me, and I dismissed my curiosity for the nonce.
Wyatt’s two sisters I knew very well, and most amiable and clever girls
they were. His wife he had newly married, and I had never yet seen her. He
had often talked about her in my presence, however, and in his usual style
of enthusiasm. He described her as of surpassing beauty, wit, and
accomplishment. I was, therefore, quite anxious to make her acquaintance.
On the day in which I visited the ship (the fourteenth), Wyatt and party
were also to visit it—so the captain informed me—and I waited
on board an hour longer than I had designed, in hope of being presented to
the bride, but then an apology came. “Mrs. W. was a little indisposed, and
would decline coming on board until to-morrow, at the hour of sailing.”
The morrow having arrived, I was going from my hotel to the wharf, when
Captain Hardy met me and said that, “owing to circumstances” (a stupid but
convenient phrase), “he rather thought the ‘Independence’ would not sail
for a day or two, and that when all was ready, he would send up and let me
know.” This I thought strange, for there was a stiff southerly breeze; but
as “the circumstances” were not forthcoming, although I pumped for them
with much perseverance, I had nothing to do but to return home and digest
my impatience at leisure.
I did not receive the expected message from the captain for nearly a week.
It came at length, however, and I immediately went on board. The ship was
crowded with passengers, and every thing was in the bustle attendant upon
making sail. Wyatt’s party arrived in about ten minutes after myself.
There were the two sisters, the bride, and the artist—the latter in
one of his customary fits of moody misanthropy. I was too well used to
these, however, to pay them any special attention. He did not even
introduce me to his wife—this courtesy devolving, per force, upon
his sister Marian—a very sweet and intelligent girl, who, in a few
hurried words, made us acquainted.
Mrs. Wyatt had been closely veiled; and when she raised her veil, in
acknowledging my bow, I confess that I was very profoundly astonished. I
should have been much more so, however, had not long experience advised me
not to trust, with too implicit a reliance, the enthusiastic descriptions
of my friend, the artist, when indulging in comments upon the loveliness
of woman. When beauty was the theme, I well knew with what facility he
soared into the regions of the purely ideal.
The truth is, I could not help regarding Mrs. Wyatt as a decidedly
plain-looking woman. If not positively ugly, she was not, I think, very
far from it. She was dressed, however, in exquisite taste—and then I
had no doubt that she had captivated my friend’s heart by the more
enduring graces of the intellect and soul. She said very few words, and
passed at once into her state-room with Mr. W.
My old inquisitiveness now returned. There was no servant—that was a
settled point. I looked, therefore, for the extra baggage. After some
delay, a cart arrived at the wharf, with an oblong pine box, which was
every thing that seemed to be expected. Immediately upon its arrival we
made sail, and in a short time were safely over the bar and standing out
to sea.
The box in question was, as I say, oblong. It was about six feet in length
by two and a half in breadth; I observed it attentively, and like to be
precise. Now this shape was peculiar; and no sooner had I seen it, than I
took credit to myself for the accuracy of my guessing. I had reached the
conclusion, it will be remembered, that the extra baggage of my friend,
the artist, would prove to be pictures, or at least a picture; for I knew
he had been for several weeks in conference with Nicolino:—and now
here was a box, which, from its shape, could possibly contain nothing in
the world but a copy of Leonardo’s “Last Supper;” and a copy of this very
“Last Supper,” done by Rubini the younger, at Florence, I had known, for
some time, to be in the possession of Nicolino. This point, therefore, I
considered as sufficiently settled. I chuckled excessively when I thought
of my acumen. It was the first time I had ever known Wyatt to keep from me
any of his artistical secrets; but here he evidently intended to steal a
march upon me, and smuggle a fine picture to New York, under my very nose;
expecting me to know nothing of the matter. I resolved to quiz him well,
now and hereafter.
One thing, however, annoyed me not a little. The box did not go into the
extra state-room. It was deposited in Wyatt’s own; and there, too, it
remained, occupying very nearly the whole of the floor—no doubt to
the exceeding discomfort of the artist and his wife;—this the more
especially as the tar or paint with which it was lettered in sprawling
capitals, emitted a strong, disagreeable, and, to my fancy, a peculiarly
disgusting odor. On the lid were painted the words—“Mrs. Adelaide
Curtis, Albany, New York. Charge of Cornelius Wyatt, Esq. This side up. To
be handled with care.”
Now, I was aware that Mrs. Adelaide Curtis, of Albany, was the artist’s
wife’s mother,—but then I looked upon the whole address as a
mystification, intended especially for myself. I made up my mind, of
course, that the box and contents would never get farther north than the
studio of my misanthropic friend, in Chambers Street, New York.
For the first three or four days we had fine weather, although the wind
was dead ahead; having chopped round to the northward, immediately upon
our losing sight of the coast. The passengers were, consequently, in high
spirits and disposed to be social. I must except, however, Wyatt and his
sisters, who behaved stiffly, and, I could not help thinking,
uncourteously to the rest of the party. Wyatt’s conduct I did not so much
regard. He was gloomy, even beyond his usual habit—in fact he was
morose—but in him I was prepared for eccentricity. For the sisters,
however, I could make no excuse. They secluded themselves in their
staterooms during the greater part of the passage, and absolutely refused,
although I repeatedly urged them, to hold communication with any person on
board.
Mrs. Wyatt herself was far more agreeable. That is to say, she was chatty;
and to be chatty is no slight recommendation at sea. She became
excessively intimate with most of the ladies; and, to my profound
astonishment, evinced no equivocal disposition to coquet with the men. She
amused us all very much. I say “amused”—and scarcely know how to
explain myself. The truth is, I soon found that Mrs. W. was far oftener
laughed at than with. The gentlemen said little about her; but the ladies,
in a little while, pronounced her “a good-hearted thing, rather
indifferent looking, totally uneducated, and decidedly vulgar.” The great
wonder was, how Wyatt had been entrapped into such a match. Wealth was the
general solution—but this I knew to be no solution at all; for Wyatt
had told me that she neither brought him a dollar nor had any expectations
from any source whatever. “He had married,” he said, “for love, and for
love only; and his bride was far more than worthy of his love.” When I
thought of these expressions, on the part of my friend, I confess that I
felt indescribably puzzled. Could it be possible that he was taking leave
of his senses? What else could I think? He, so refined, so intellectual,
so fastidious, with so exquisite a perception of the faulty, and so keen
an appreciation of the beautiful! To be sure, the lady seemed especially
fond of him—particularly so in his absence—when she made
herself ridiculous by frequent quotations of what had been said by her
“beloved husband, Mr. Wyatt.” The word “husband” seemed forever—to
use one of her own delicate expressions—forever “on the tip of her
tongue.” In the meantime, it was observed by all on board, that he avoided
her in the most pointed manner, and, for the most part, shut himself up
alone in his state-room, where, in fact, he might have been said to live
altogether, leaving his wife at full liberty to amuse herself as she
thought best, in the public society of the main cabin.
My conclusion, from what I saw and heard, was, that, the artist, by some
unaccountable freak of fate, or perhaps in some fit of enthusiastic and
fanciful passion, had been induced to unite himself with a person
altogether beneath him, and that the natural result, entire and speedy
disgust, had ensued. I pitied him from the bottom of my heart—but
could not, for that reason, quite forgive his incommunicativeness in the
matter of the “Last Supper.” For this I resolved to have my revenge.
One day he came upon deck, and, taking his arm as had been my wont, I
sauntered with him backward and forward. His gloom, however (which I
considered quite natural under the circumstances), seemed entirely
unabated. He said little, and that moodily, and with evident effort. I
ventured a jest or two, and he made a sickening attempt at a smile. Poor
fellow!—as I thought of his wife, I wondered that he could have
heart to put on even the semblance of mirth. I determined to commence a
series of covert insinuations, or innuendoes, about the oblong box—just
to let him perceive, gradually, that I was not altogether the butt, or
victim, of his little bit of pleasant mystification. My first observation
was by way of opening a masked battery. I
