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The Angel of the Odd — Edgar Allan Poe
Local reading from The Works of Edgar Allan Poe, Raven Edition, volume 4. This is a later collected text, not the first printing named in the research list.
THE ANGEL OF THE ODD
AN EXTRAVAGANZA.
It was a chilly November afternoon. I had just consummated an unusually
hearty dinner, of which the dyspeptic truffe formed not the least
important item, and was sitting alone in the dining-room, with my feet
upon the fender, and at my elbow a small table which I had rolled up to
the fire, and upon which were some apologies for dessert, with some
miscellaneous bottles of wine, spirit and liqueur. In the morning I
had been reading Glover’s “Leonidas,” Wilkie’s “Epigoniad,” Lamartine’s
“Pilgrimage,” Barlow’s “Columbiad,” Tuckermann’s “Sicily,” and Griswold’s
“Curiosities”; I am willing to confess, therefore, that I now felt a
little stupid. I made effort to arouse myself by aid of frequent Lafitte,
and, all failing, I betook myself to a stray newspaper in despair. Having
carefully perused the column of “houses to let,” and the column of “dogs
lost,” and then the two columns of “wives and apprentices runaway,” I
attacked with great resolution the editorial matter, and, reading it from
beginning to end without understanding a syllable, conceived the
possibility of its being Chinese, and so re-read it from the end to the
beginning, but with no more satisfactory result. I was about throwing
away, in disgust,
“This folio of four pages, happy work
Which not even critics criticise,”
when I felt my attention somewhat aroused by the paragraph which follows:
“The avenues to death are numerous and strange. A London paper mentions
the decease of a person from a singular cause. He was playing at ‘puff the
dart,’ which is played with a long needle inserted in some worsted, and
blown at a target through a tin tube. He placed the needle at the wrong
end of the tube, and drawing his breath strongly to puff the dart forward
with force, drew the needle into his throat. It entered the lungs, and in
a few days killed him.”
Upon seeing this I fell into a great rage, without exactly knowing why.
“This thing,” I exclaimed, “is a contemptible falsehood—a poor hoax—the
lees of the invention of some pitiable penny-a-liner—of some
wretched concoctor of accidents in Cocaigne. These fellows, knowing the
extravagant gullibility of the age, set their wits to work in the
imagination of improbable possibilities—-of odd accidents, as they
term them; but to a reflecting intellect (like mine,” I added, in
parenthesis, putting my forefinger unconsciously to the side of my nose,)
“to a contemplative understanding such as I myself possess, it seems
evident at once that the marvelous increase of late in these ‘odd
accidents’ is by far the oddest accident of all. For my own part, I intend
to believe nothing henceforward that has anything of the ‘singular’ about
it.”
“Mein Gott, den, vat a vool you bees for dat!” replied one of the most
remarkable voices I ever heard. At first I took it for a rumbling in my
ears—such as a man sometimes experiences when getting very drunk—but,
upon second thought, I considered the sound as more nearly resembling that
which proceeds from an empty barrel beaten with a big stick; and, in fact,
this I should have concluded it to be, but for the articulation of the
syllables and words. I am by no means naturally nervous, and the very few
glasses of Lafitte which I had sipped served to embolden me no little, so
that I felt nothing of trepidation, but merely uplifted my eyes with a
leisurely movement, and looked carefully around the room for the intruder.
I could not, however, perceive any one at all.
“Humph!” resumed the voice, as I continued my survey, “you mus pe so dronk
as de pig, den, for not zee me as I zit here at your zide.”
Hereupon I bethought me of looking immediately before my nose, and there,
sure enough, confronting me at the table sat a personage nondescript,
although not altogether indes
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