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A Decided Loss (Loss of Breath) — Edgar Allan Poe
Local reading from The Works of Edgar Allan Poe, Raven Edition, volume 4. This is a later collected text, not the first printing named in the research list.
LOSS OF BREATH
O breathe not, etc.
—Moore’s Melodies
The most notorious ill-fortune must in the end yield to the untiring
courage of philosophy—as the most stubborn city to the ceaseless
vigilance of an enemy. Shalmanezer, as we have it in holy writings, lay
three years before Samaria; yet it fell. Sardanapalus—see
Diodorus—maintained himself seven in Nineveh; but to no purpose.
Troy expired at the close of the second lustrum; and Azoth, as Aristaeus
declares upon his honour as a gentleman, opened at last her gates to
Psammetichus, after having barred them for the fifth part of a
century....
“Thou wretch!—thou vixen!—thou shrew!” said I to
my wife on the morning after our wedding; “thou witch!—thou
hag!—thou whippersnapper—thou sink of iniquity!—thou
fiery-faced quintessence of all that is
abominable!—thou—thou—” here standing upon
tiptoe, seizing her by the throat, and placing my mouth close to her ear,
I was preparing to launch forth a new and more decided epithet of
opprobrium, which should not fail, if ejaculated, to convince her of her
insignificance, when to my extreme horror and astonishment I discovered
that I had lost my breath.
The phrases “I am out of breath,” “I have lost my breath,” etc., are often
enough repeated in common conversation; but it had never occurred to me
that the terrible accident of which I speak could bona fide and actually
happen! Imagine—that is if you have a fanciful turn—imagine, I
say, my wonder—my consternation—my despair!
There is a good genius, however, which has never entirely deserted me. In
my most ungovernable moods I still retain a sense of propriety, et le
chemin des passions me conduit—as Lord Edouard in the “Julie” says
it did him—à la philosophie véritable.
Although I could not at first precisely ascertain to what degree the
occurrence had affected me, I determined at all events to conceal the
matter from my wife, until further experience should discover to me the
extent of this my unheard of calamity. Altering my countenance, therefore,
in a moment, from its bepuffed and distorted appearance, to an expression
of arch and coquettish benignity, I gave my lady a pat on the one cheek,
and a kiss on the other, and without saying one syllable (Furies! I could
not), left her astonished at my drollery, as I pirouetted out of the room
in a pas de zephyr.
Behold me then safely ensconced in my private boudoir, a fearful instance
of the ill consequences attending upon irascibility—alive, with the
qualifications of the dead—dead, with the propensities of the living—an
anomaly on the face of the earth—being very calm, yet breathless.
Yes! breathless. I am serious in asserting that my breath was entirely
gone. I could not have stirred with it a feather if my life had been at
issue, or sullied even the delicacy of a mirror. Hard fate!—yet
there was some alleviation to the first overwhelming paroxysm of my
sorrow. I found, upon trial, that the powers of utterance which, upon my
inability to proceed in the conversation with my wife, I then concluded to
be totally destroyed, were in fact only partially impeded, and I
discovered that had I, at that interesting crisis, dropped my voice to a
singularly deep guttural, I might still have continued to her the
communication of my sentiments; this pitch of voice (the guttural)
depending, I find, not upon the current of the breath, but upon a certain
spasmodic action of the muscles of the throat.
Throwing myself upon a chair, I remained for some time absorbed in
meditation. My reflections, be sure, were of no consolatory kind. A
thousand vague and lachrymatory fancies took possession of my soul—and
even the idea of suicide flitted across my brain; but it is a trait in the
perversity of human nature to reject the obvious an
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